This was supposed to be a socialist substitute for Western crime fiction which was not permitted for political reasons. However, after October 1956 (the end of Stalinism in Poland) crime fiction works gradually began to appear with the militia novel developing the most to the point that it was dominate in the 1956-1989 period. Novels were supposed to promote an ideology-compliant lifestyle. Polish crime fiction before 1989 (years 1945-1989)ģ After World War II in Poland the Communists formed a government as the PZPR (Polska Zjednoczona Partia Robotników ) and were opposed to entertainment literature. Meaningful remarks on this subject can be found in the conversation between Jan Marx and Andrzej Wydrzyński which provides an indication of the potential of an action story as a medium for personal patterns 4. A ludic perspective has been thereby replaced by critical thinking about extratextual reality. Instead this was transfigured into a Stendhalian "mirror carried down the middle of a road" 3. Stories of "crime and punishment" have ceased to perform a function that had only been restricted to popular literature by which classical crime fiction was an intellectual charade solved by a reader along with the protagonists or alternatively provided a form of escapism in which readers retreat from non-artistic reality by creating a projection of a character from their own dreams. Wydrzyński, "W literaturze sensacyjnej znalazł schronienie pozytyw (.)Ģ Social and civilizational evolutions which invalidate a division into cultural cycles have contributed to a reinterpretation of the position of popular literature in social communication alongside the role of highly artistic works being appropriated by a lower register. Major, "Telewizyjny kryminał 'zwierciadłem przechadzającym się po gościńcu'"? Serial "The Wi (.)
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